New workshop – lighting and digital workflow

Quite a few people have expressed an interest in my digital workflow and in particular how I use Capture One.  It’s not feasible right now to do classroom style tuition but I thought there might be some interest in it as part of a lighting workshop on the 26th September.

I’m really excited about the capabilities of Capture One v5 and have recently been going through some old RAW files to see how much improved the workflow is and how little I need to use PhotoShop as a result.  I’ll share this knowledge with you as part of the workshop.

Prior to the workflow section we’ll work through the use of lighting from basics to the more creative side and you will have to opportunity to work the our resident model for the day.

Full details of the day can be seen on this page.  I hope to see you there.

Off camera flash workshop in Ford, West Sussex

Switchphotography have been kind enough to invite me to their studio in Ford, West Sussex.  We have the wonderful Kayt Webster Brown as model and an excellent makeup artist.  There are 6 places available and 2 have gone already, get in touch with Switch if you’re interested.  Link to their studio page is here

Out and about with Chrissie

Last Sunday I met up with Chrissie for a quick shoot in Dunham Massey.  I’d hoped for a glorious sunset but ended up with a rather overcast evening, I’ve not done a lot of work outside recently so this gave me an opportunity to try out a few ideas with the aid of Chrissie’s partner who was an excellent flash / reflector holder!  Anyway here are a few samples from the shoot, please let me know what you think.

One to One training

I’ve recently started doing one to one training, now that I have more time in Manchester and easy access to Hallam Mill Studio.  Yesterday Dan came to see me for some help with lighting.  He had many years of natural light experience but wanted a little help with flash.  We were lucky enough to have Carole model for us, we’ve worked together before and you can see more of our images on my Flickr Stream

We started out with a basic headshot and built up the lighting to include key, rim and fill until we ended up with this

I took the iPad with me and we found the ability to see the images on there, transmitted from the camera by the eye-fi card, really useful.  You can read more about this set-up on my earlier blog post here

We then applied the skills learned in the headshot set-up to other settings such as full length and 3/4 shots such as this one.

All our lighting was done with Strobist style kit, using small ebay softboxes, Manfrotto Nano stands, Nikon SB800s and Alien Bees PLM brollies.

One to one training can be tailored to your particular needs so any photographers that are interested in something similar please drop me a line.  The training and studio time is only £45 an hour and you can either supply your own model or I can find one for you with no mark up.

Using blue gels for creative effect

You often see posts about using CTO (colour temperature orange) gels in images to add a bit of warmth to certain parts of the image.  This is a really good suggestion and it also makes the background look more blue as well.  However what I wanted to do was to make rather dull natural light look more interesting by creating a ‘sunset’ effect.  Trouble was, if I ‘warmed up’ the natural light by dialling in a lower colour temperature the light from the flash got warmer too.  This is where CTB (colour temperature blue) gels come in, this will make the flash light appear blue (a higher colour temperature) and if you balance your image to this blue light then the natural light will look much more orange creating the sunset effect.  Add a smoke machine and, perhaps, an unfiltered rim light (to put a warm rim around the model) and the effect is complete.

The great part about this is that it can be done at almost no cost, assuming you have some sort of off camera flash.  The Strobist gel pack is about £10 which includes several strengths of CTB as well as a wide gamut of other filters at a size that will fit most flash guns.  If you have studio lights then a sheet of CTB gel will run to less than £5.  I’d suggest getting a quarter CTB that way you can layer the gels if it’s not strong enough.

To get an approximation of what the image will look like in camera I turn the colour temperature up as high as it will go (10,000) but shoot a grey card so that I can set the colour balance correctly later in Capture One when working on the RAW files.  I’ve put a few examples of images using this technique below but you can see others on my Flickr stream here

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