Shooting tethered with the Apple iPad

One of the things I like to do during workshop is show students the images as I take them.  So far this has been achieved by taking a Mac mini and NEC Spectraview screen to the location and shooting tethered with a long USB cable in to Phase One Capture One.  This set-up works great but getting it to and from the location is a pain (literally!) and the USB cable is quite limiting.  I’m considering doing some workshops outside in the near futre and this set-up would be unworkable there and I didn’t fancy forking out for a Macbook Pro just yet.

Enter the iPad.  The iPad is a device that’s simple and intuitive to use, has a great screen and battery life and is therefore, ostensibly, ideal for tethered shooting.  There is a major problem though in that tethering to cameras over USB is not supported even with the camera connection kit (which is great for normal transfer of images off cards by the way).

A new piece of software is available in the app store though called Shuttersnitch which allows you to transfer images to the iPad wirelessly either by using the proprietary wi-fi adapters from the likes of Canon and Nikon or the increasingly popular Eye-fi SD cards.  This is where I hit another ‘gotcha’.  Eye-fi cards are available in SD format only and I shoot with a Nikon D3 which has 2 CF card slots.  I did some research and discovered many tales of woe about users not being able to get the cards to work, especially the new X2 models with Canon cameras although many seemed to struggle with the D3 also.  The cards aren’t very expensive though so I persevered and obtained an SD to CF adapter from ebay which stated it had been tested with the Eye-fi card and a 8GB Pro Eye-Fi card.  I went with the pro version in the end because although RAW and ad-hoc connections are not supported in this setup at the moment they may be in the future.

The lack of support for ad-hoc connections is the next gotcha.  This means you have to connect from the camera to the iPad via a router and is a limitation of the iPad at present.  Fortunately though I have a Three MiFi device which acts as a battery powered router and I decided to put this in my pocket to allow location shooting.

With more than a little pessimism I started to configure the card by connecting the supplied SD card reader containing the card to a spare USB port on my Mac.  I’ll not go through the full set-up process here as it’s covered in detail elsewhere on the web but it’s fair to say it took a reasonable amount of patience with the software, firmware and Adobe Air all demanding updates and the software refused to register my account stating that the password could not be used.  As it turned out the actual issue was with my email address which, to prevent spam, I prefer to use a slightly unusual format for.  It would have been nice for the software to let me know that this was the issue though rather than complain about the password.

I then took the card out of the reader, inserted it in to the adapter and then put the adapter in to the D3.  Before shooting I changed my settings so that the second card slot (where I put the Eye-fi) only received a basic jpeg with the raw being stored on the card in slot 1.  I also changed the settings so the meter didn’t go to sleep and the camera monitor kept on for as long as possible (many of the issues reported online were due to the camera going in to sleep mode).

I then took a photograph.  Much to my surprise it transfered to my Mac first time!  After a couple of more tests I followed the instructions here and sent the upload key to the iPad via email, copied and pasted the code in to the Shuttersnitch settings, opened the application and took a photograph.  Nothing happened.  I quickly realised my mistake, I needed to open a new collection and after I did so I tried again.  Still nothing.  However closing the application and opening it again resolved all connection problems and it’s worked every time since.

One of the frustrations in traditional tethered shooting with Nikon cameras is that you can’t also use the cameras LCD and images are only stored on the connected computer with no option to also store them on the camera.  The eye-fi card overcomes these limitations but in doing so introduces a slight delay in to the process which is the time it takes to download the image to the card, it then initiates a connection to the iPad and sends the file across.   This means there is a slight delay from taking the image before Shuttersnitch starts to download the image.  In testing though, other than the first shot, I found it took about 7 seconds for a basic jpeg if the previous image had been full downloaded.  If I shot a series of images in quick succession they took longer, obviously, but all did get downloaded and each appeared on the iPad as it was received.  Sending RAW files is supported by the card and Shuttersnitch will receive (but not display) raw files.  In my view though this is pretty much a waste of time, at least for my purposes.  The download time is in the region of 30 seconds and, even if I could get the iPad to display the image, I believe it only renders the embedded jpeg.  I will therefore be shooting with just basic jpegs at the moment, but for more critical work jpeg fine only takes 12 seconds or so.

Overal I’m very pleased with the set-up.  It’s very unintuitive compared to pretty much everything else about the iPad.  It’s more like going back to Windows XP (or even Linux) in some ways as you have to bring several things together to get it to work but work it does!  Please put any questions in the comment section and I’ll try my best to answer them.

Diane at Hallam Mill

I’ve photographed Diane several times over the last 3 years while she was studying at Manchester University. This weekend was our last shoot though as she’s now finished her degree and is off back to Hong Kong before continuing her studies in Shanghai. Most of the images are taken in natural light as it was a lovely day.

We briefly went to the lift though and managed to get a few shots there too:)

Catwoman

As I’ve mentioned previously I’m in the process of moving out of Islington Mill, the new studio I’m using is in Stockport and called Hallam Mill, click here for a handy link to Google Streetview.  It’s a great space of just under 4000 sq ft.  It’s wonderful to shoot there using natural light, especially towards dusk and so far I’ve done a client shoot and taken a workshop there.  This week though I wanted to do a fun shoot with my friend Ella who was just about to pick up here degree results (yay for a 2:1!) and head back to Essex.  As it was an evening on a ‘school night’ we had a limited amount of time so I decided to do just 2 main sets, one using natural light and the other a darker, low key theme.  It’s the later that’s the subject of this post and Ella brought with her a fabulous catwoman outfit which was perfect for the theme.

Technically shooting black against black can be a little tricky so I used plenty of rim lighting to separate her from the background by varying degrees.  In the first shot this was done very subtly to try and emphasise the cat like pose and the other images gradually separate her further from the background. Rim lighting is one of the techniques I teach on my strobist lighting workshop, click the menu above to read more about these workshops. Hope you like the images and please feel free to leave comments below.

(Almost) BOGOF

We’ve all seen them in supermarkets, buy one tin of soup get another free, well now I’m bringing something similar to my portfolio work.  If you can find yourself a mate who also wants images taken at the same time then I’m offering £60 off each of your full shoot costs (you pay £100 instead of £160 each for the shoot).  Even better, if you commit to buy more than 10 images from the shoot then you can have them at half price (£10 each instead of £20).  This offer will last all summer.  How long will summer last?  I’ve no idea;)

Please drop me a message using the contact link above if you would like any further information.

How can I help You?

A couple of really interesting shoots so far this year, as well as a recent training event, have made me think a little more about what I am trying to do with my photography.  In essence it’s about giving clients the very best images, but we need to look in more detail than that because I’m not the right photographer for some projects and equally I’m only likely to appeal to a select set of clients.

Who am I trying to appeal to? Essentially anyone who wants unique images in the areas I specialise in.  I teach other photographers how to light creatively and that’s one of the qualities I bring to a shoot.  I’ve also a track record of providing dancers, singers and actors with images that really stand out from the norm as well as the required industry headshots.  Very few of the people in my portfolio would describe themselves as professional models, most come from a dance or theatre background and many have no inclination to model professionally at all.

Clients then are likely to be finishing theatre school / dance training, wanting a boost to their professional portfolio or recording a significant moment in their lives.  Two of the best shoots I’ve done recently were with guys who had got themselves in to great shape and wanted some images to record that fact, one for a job application and the other simply because they could.

Who isn’t likely to want me to photograph them? I make no secret of the fact I’ve no interest in wedding photography, there are people far better qualified who will do it better than I.  For a generic family photograph a high street photographer is generally a better option.  Most importantly though, I’m not seeking out the bargain basement end of the market either.  I know some photographers will, for a pittance, give you a CD of all images from the shoot for you to do with what you will.  As the saying goes though ‘buy cheap, pay twice’.  My photography is about giving you something that most other photographers can’t, be it lighting, creativity, image quality or simply a unique space to shoot in (the studio I use is an old warehouse of some 4000 sq ft).  Having said that I understand that in the current climate not everyone has the resources to devote to a shoot of their own, in the next post therefore I’m launching a summer offer to give you a significant discount if you bring along a friend.

In conclusion then I hope you, as potential clients, see from my portfolio whether I can help you get the imagery you want.  You certainly don’t need to have aspirations toward the world of modelling, simply a desire to have a record of something unique.  Please get in touch if you think I can help.

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